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I had already done a clean install of all related applications, Waves, Cubase etc., And also cleaned registry of everything that mentioned Waves before re-installing…įinally I decided to search the registry for WaveShell-VST3… Low and behold the solution – A very odd registry key gets added if the Waveshell crashes. Renaming it back to the original WaveShell-VST3 9.2_圆4.vst3 still causes crashes… What is going on? Waveshell crashes again and now the projects will not load again even with the renamed file, unless it was renamed yet again. I renamed the file to WaveShell-VST3 9.2_圆4_BLAH.vst3 Wow! Success!Īll my projects loaded again… But it is not over yet. This file is found here and this put me on the right path: I found a post related to a different issue that suggested renaming the WaveShell-VST3 9.2_圆4 file.
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The next morning I woke up and with a fresh head, found myself a cure within 30 minutes (based on the research I had done the day before). I re-installed, searched, cleaned, refreshed preferences, you name it, I tried it…ġ5 hours later I was still unable to load any of my projects without Cubase disappearing into the dark depths where all dead project go. Even projects that I was working on the very day before. All my Cubase 7 (64 Bit) projects refused to load without crashing. Make sure to delete the file .I had a 15 hour struggle in the studio recently.
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Library/Application Support/Digidesign/Plug-Ins Applications/Antares Audio Technologies/ Auto-Tune+Time RTAS Plug-In goes in the following two locations for RTAS: VST= /Applications/Antares Audio Technologies/ Auto-Tune+Time VST Plug-In goes in the following two locations for either AU or VST:ĪU = /Applications/Antares Audio Technologies/ Auto-Tune+Time AU Seamlessly integrated into the Graphical Mode interface, Auto-Tune 7’s time control capabilities allow you to quickly and easily edit the timing of your vocals right along with their pitch.Īuto-Tune 7 also features the second generation of Antares’ Evoô Voice Processing Technology, offering even more natural pitch shifting and throat modeling, along with a host of time-saving workflow enhancements.ī) Overwrite the demo plug-in with the appropriate plug-in file found in the Cracks folder. Whether to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or create the Auto-Tune Vocal Effect (the Cher/T-Pain effect), Auto-Tune is the overwhelming tool of choice.īy far the most dramatic addition to Auto-Tune 7 is its entirely new time correction and manipulation system. This mode gives complete control over the correction or modification of the most elaborate pitch and rhythmic gestures.Īuto-Tune is used daily by thousands of audio professionals around the world. A Retune Speed control lets you match the retune rate to virtually any performance style as well as create the iconic Auto-Tune Vocal Effect (the Cher/T-Pain effect).įor meticulous pitch and time editing, Auto-Tune 7’s Graphical Mode displays the performance’s detected pitch envelope and allows you to modify pitch and timing with a variety of easy-to-use graphics tools. All with a user-interface that is a model of clarity, speed and ease-of-use.Īnd now, with its new-from-the-ground-up time manipulation capabilities, Auto-Tune 7 represents the most substantial advancement in functionality since Auto-Tune’s original introduction in 1997.įor most common pitch problems, Auto-Tune 7’s Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch.
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The Next Generation of the Worldwide Standard in Professional Pitch (and Now Time) Correctionīuy It Hailed at its introduction as a “holy grail of recording,” by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance – with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing.